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Lei Xianyuan

04-1816PingyaoshagexirenTraditional Fine ArtsPingyao, ShanxiBatch 4 (2012)

Lineage & School of Heritage

He was born into a family of craftsmen and from childhood studied paper effigy making, clay sculpture, calligraphy and architectural painting under his father.

Mastery, Signature Works & Repertoire

He has a thorough command of the craft of making shage opera figures, with rich practical experience at every stage: conceiving the scene, designing the frame, erecting the armature, modelling heads, faces and limbs in clay, delineating facial makeup and costumes, and making the scenery and props. After retirement he devoted himself to studying the shage opera figure craft, improved and refined the art of paper effigy making, and passed all his skills on to his second son Lei Wangsheng. He also worked with others to reproduce eight sets of shage opera figures that had been lost. His representative works include “Loyalty Protects the State”, “The Land of Shatuo”, “The Thirteen Passes”, “Sima Village”, “Broken Bridge”, “Cleaving the Palace Hall”, “Yellow Crane Tower” and “A Bed Full of Tablets”.

Honors & Recognition

Male, of Han ethnicity, born in July 1929 and deceased in August 2018, a native of Pingyao County, Shanxi Province. National representative bearer of Pingyao Shage Opera Figures, a fourth-batch national intangible cultural heritage project.

References & Archival Sources

  1. Lei Xianyuan · National Representative Bearer Archive

Representative Items of This Bearer

Profile

Representative item
Pingyaoshagexiren
Item code
Ⅶ-101
Category
Traditional Fine Arts
Region
Pingyao, Shanxi
Born
1929.07.11
Batch
Batch 4 (2012)

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