Zhang Yufang
01 · Lineage & Regional School
Zhang Yufang, Male, Han, from Hezeshimudan, Shandong, is a sixth-batch national representative bearer of Luxinan Wind and Percussion Music (Ⅱ-45). The tradition is documented in Hezeshimudan, Shandong. Within the regional tradition and school record of Luxinan Wind and Percussion Music in Hezeshimudan, Shandong: Luxinan wind and percussion music is one of the great branches of drum-and-wind music in northern China; it is distributed mainly in Heze and in some counties (districts) of Jining and Zaozhuang in the south-west of Shandong Province, of which Mudan District of Heze City, Juye County, Shan County and Juancheng County are the most representative. The history of Luxinan wind and percussion art can be traced back to the Han dynasty: the Wu clan shrine at Jiaxiang was built at the end of the Eastern Han, and the Han pictorial stones in the shrine vividly depict the playing of drum-and-wind music at that time. The repertoire of Luxinan wind and percussion music has a very long history, comprising both zaju tune patterns used since the Song and Yuan dynasties and a large number of Ming and Qing small tunes; Bai Niao Chao Feng (A Hundred Birds Paying Homage to the Phoenix), Tai Hua Jiao (Carrying the Bridal Sedan Chair), Da He Tao (Great Combined Set), Da Di Jiao (Great Flute Whirl), Yi Zhi Hua (A Single Flower) and Suo Nan Zhi (Locking the South Branch) are all representative pieces among them.
02 · Mastery & Signature Works
The bearer record for Zhang Yufang is anchored in the documented technical standards of Luxinan Wind and Percussion Music in Hezeshimudan, Shandong. Within the documented technical tradition of Luxinan Wind and Percussion Music in Hezeshimudan, Shandong: Luxinan wind and percussion music consists of wind instruments and percussion instruments, and according to performing function it is divided into three kinds: ordinary drum-and-wind music, sacrificial music and deity-worship music; the principal performing forms are procession performance and seated performance. The suona is the most important instrument in drum-and-wind music, and its common techniques include harmonics, finger-flower sounds, beaten notes, auxiliary notes, breath-arch tones, breath-supported tones, floret tones and slides. Representative repertoire, works and technical entries recorded for the project include: "Bai Niao Chao Feng": The repertoire of Luxinan wind and percussion music has a very long history, comprising both zaju tune patterns used since the Song and Yuan dynasties and a large number of Ming and Qing small tunes; Bai Niao Chao Feng (A Hundred Birds Paying Homage to the Phoenix), Tai Hua Jiao (Carrying the Bridal Sedan Chair), Da He Tao (Great Combined Set), Da Di Jiao (Great Flute Whirl), Yi Zhi Hua (A Single Flower) and Suo Nan Zhi (Locking the South Branch) are all representative pieces among them. "Tai Hua Jiao": The repertoire of Luxinan wind and percussion music has a very long history, comprising both zaju tune patterns used since the Song and Yuan dynasties and a large number of Ming and Qing small tunes; Bai Niao Chao Feng (A Hundred Birds Paying Homage to the Phoenix), Tai Hua Jiao (Carrying the Bridal Sedan Chair), Da He Tao (Great Combined Set), Da Di Jiao (Great Flute Whirl), Yi Zhi Hua (A Single Flower) and Suo Nan Zhi (Locking the South Branch) are all representative pieces among them. "Da He Tao": The repertoire of Luxinan wind and percussion music has a very long history, comprising both zaju tune patterns used since the Song and Yuan dynasties and a large number of Ming and Qing small tunes; Bai Niao Chao Feng (A Hundred Birds Paying Homage to the Phoenix), Tai Hua Jiao (Carrying the Bridal Sedan Chair), Da He Tao (Great Combined Set), Da Di Jiao (Great Flute Whirl), Yi Zhi Hua (A Single Flower) and Suo Nan Zhi (Locking the South Branch) are all representative pieces among them. "Da Di Jiao": The repertoire of Luxinan wind and percussion music has a very long history, comprising both zaju tune patterns used since the Song and Yuan dynasties and a large number of Ming and Qing small tunes; Bai Niao Chao Feng (A Hundred Birds Paying Homage to the Phoenix), Tai Hua Jiao (Carrying the Bridal Sedan Chair), Da He Tao (Great Combined Set), Da Di Jiao (Great Flute Whirl), Yi Zhi Hua (A Single Flower) and Suo Nan Zhi (Locking the South Branch) are all representative pieces among them.
Bai Niao Chao Feng
The repertoire of Luxinan wind and percussion music has a very long history, comprising both zaju tune patterns used since the Song and Yuan dynasties and a large number of Ming and Qing small tunes; Bai Niao Chao Feng (A Hundred Birds Paying Homage to the Phoenix), Tai Hua Jiao (Carrying the Bridal Sedan Chair), Da He Tao (Great Combined Set), Da Di Jiao (Great Flute Whirl), Yi Zhi Hua (A Single Flower) and Suo Nan Zhi (Locking the South Branch) are all representative pieces among them.
Tai Hua Jiao
The repertoire of Luxinan wind and percussion music has a very long history, comprising both zaju tune patterns used since the Song and Yuan dynasties and a large number of Ming and Qing small tunes; Bai Niao Chao Feng (A Hundred Birds Paying Homage to the Phoenix), Tai Hua Jiao (Carrying the Bridal Sedan Chair), Da He Tao (Great Combined Set), Da Di Jiao (Great Flute Whirl), Yi Zhi Hua (A Single Flower) and Suo Nan Zhi (Locking the South Branch) are all representative pieces among them.
Da He Tao
The repertoire of Luxinan wind and percussion music has a very long history, comprising both zaju tune patterns used since the Song and Yuan dynasties and a large number of Ming and Qing small tunes; Bai Niao Chao Feng (A Hundred Birds Paying Homage to the Phoenix), Tai Hua Jiao (Carrying the Bridal Sedan Chair), Da He Tao (Great Combined Set), Da Di Jiao (Great Flute Whirl), Yi Zhi Hua (A Single Flower) and Suo Nan Zhi (Locking the South Branch) are all representative pieces among them.
Da Di Jiao
The repertoire of Luxinan wind and percussion music has a very long history, comprising both zaju tune patterns used since the Song and Yuan dynasties and a large number of Ming and Qing small tunes; Bai Niao Chao Feng (A Hundred Birds Paying Homage to the Phoenix), Tai Hua Jiao (Carrying the Bridal Sedan Chair), Da He Tao (Great Combined Set), Da Di Jiao (Great Flute Whirl), Yi Zhi Hua (A Single Flower) and Suo Nan Zhi (Locking the South Branch) are all representative pieces among them.
03 · Transmission & Safeguarding Status
In 2025, Zhang Yufang was announced in the sixth batch of national representative bearers for Luxinan Wind and Percussion Music, with Hezeshimudan, Shandong as the declared area. Within the documented safeguarding record of Luxinan Wind and Percussion Music in Hezeshimudan, Shandong: The project was inscribed in the national inventory in 2008 (batch 2), with Hezeshimudan, Shandong as its declared area, and Heze Mudan District Cultural Center as its safeguarding unit. Since the project was inscribed in the national inventory, its declared area and safeguarding unit have carried out documentation, transmission and presentation within the national safeguarding framework. Together, the inventory record and the project archive form the public documentary basis for the bearer’s transmission practice.
04 · Associated Heritage Item Dossier
Historical origin
The history of Luxinan wind and percussion art can be traced back to the Han dynasty: the Wu clan shrine at Jiaxiang was built at the end of the Eastern Han, and the Han pictorial stones in the shrine vividly depict the playing of drum-and-wind music at that time. The repertoire of Luxinan wind and percussion music has a very long history, comprising both zaju tune patterns used since the Song and Yuan dynasties and a large number of Ming and Qing small tunes; Bai Niao Chao Feng (A Hundred Birds Paying Homage to the Phoenix), Tai Hua Jiao (Carrying the Bridal Sedan Chair), Da He Tao (Great Combined Set), Da Di Jiao (Great Flute Whirl), Yi Zhi Hua (A Single Flower) and Suo Nan Zhi (Locking the South Branch) are all representative pieces among them.
05 · Fellow National Bearers Lineage
National representative bearers recorded under the same item code, ordered from the first to the sixth batch. Batch order is not a teacher–student relationship.
| Bearer | Declared area | Roster code | Relation |
|---|---|---|---|
| Yi Shuanglai | Jiaxiang, Shandong | 02-0287 | Other regional school |
| Li Guangfu | Hezeshimudan, Shandong | 04-1527 | Same declared area |
| Chen Jianbin | Juye, Shandong | 05-2077 | Other regional school |
| Zhang Yufang | Hezeshimudan, Shandong | — | This page |
06 · Archival Sources & Bibliography
This static English edition is rendered at the edge for search engines, AI crawlers and readers without JavaScript. Compiled from official national representative bearer archival records and the associated project dossier, organized by topic and translated into English. 阅读中文版。