Li Zhe
01 · Lineage & Regional School
Li Zhe, Male, Han, from Nanyangshiwolong, Henan, is a sixth-batch national representative bearer of Pyrography (Ⅶ-125). The tradition is documented in Nanyangshiwolong, Henan. Within the regional tradition and school record of Pyrography in Nanyangshiwolong, Henan: Nanyang pyrography, also known as 'branded flowers' (laohua), 'burned paintings' (tanghua), or 'fire-pen painting' (huobihua), is a traditional fine-art variety that originated and has long been transmitted in the Nanyang area of Henan Province. It is now centered on the main urban district of Nanyang City, and is also found in parts of Henan Province and neighboring provinces and cities. Nanyang pyrography has entered the life of the people and is praised as one of the 'Three Treasures of Nanyang'; it is also a means for local people to increase their income and is of positive significance in supporting local economic development. According to the Nanyang County Gazetteer, it was founded by Zhao Xingsan of Nanyang in 1877.
02 · Mastery & Signature Works
The bearer record for Li Zhe is anchored in the documented technical standards of Pyrography in Nanyangshiwolong, Henan. Within the documented technical tradition of Pyrography in Nanyangshiwolong, Henan: Nanyang pyrography employs the principle of carbonization. Based on the carbonization characteristics of different materials, it uses high-temperature branding tools to outline and burn designs on carbonizable materials; by controlling the temperature of the branding pen, the speed of the stroke, and the pressure applied, it makes the surface display natural gradations of pale yellow, medium yellow, brown, and black, achieving an ink effect close to the 'five shades of ink' of Chinese painting. It takes branding as the main technique and applied color as the supplement; the colors are deep and steady, with an antique air that is dignified and elegant. It emphasizes composition and modeling, giving weight to artistic conception and the use of blank space. With relief variations across the picture and differing depths of carbonization, together with the texture of the material itself, the works present a shallow-relief effect of depth and layering. The main process steps of Nanyang pyrography include composition, material selection, drafting the branding design, burning, inscribing the signature, and mounting; its techniques include flat burning, fur-tearing, and dot-texturing; its themes cover figures, landscape, and flowers and birds, with particular emphasis on auspicious subjects. Its products are highly varied, covering 18 series, 136 varieties, and over a thousand designs, including small everyday items such as chopsticks, brush pots, and handles for fly whisks; large home furnishings such as screens and furniture; and decorative items of all kinds such as wood-panel, xuan paper, and silk pyrography, each with its own representative products. For example, chopstick pyrography falls into the main categories of flowers and birds, figures, and landscape; representative wood-panel works include Hometown and The Soul of China; representative silk works include Everything As You Wish and The Scenery of the Funiu Mountains; and representative screen works include The Yellow River Advances and The Memorial on Sending Out the Troops. It is simple and elegant, steady and refined; it inherits the style of traditional Chinese painting and has formed a unique artistic language, embodying the creativity and aesthetic pursuit of the people and enriching traditional Chinese art. Representative repertoire, works and technical entries recorded for the project include: "Archival Records of Process Steps": The main process steps of Nanyang pyrography include composition, material selection, drafting the branding design, burning, inscribing the signature, and mounting; its techniques include flat burning, fur-tearing, and dot-texturing; its themes cover figures, landscape, and flowers and birds, with particular emphasis on auspicious subjects.
Archival Records of Process Steps
The main process steps of Nanyang pyrography include composition, material selection, drafting the branding design, burning, inscribing the signature, and mounting; its techniques include flat burning, fur-tearing, and dot-texturing; its themes cover figures, landscape, and flowers and birds, with particular emphasis on auspicious subjects.
Core Technique I
Nanyang pyrography employs the principle of carbonization.
Core Technique II
Based on the carbonization characteristics of different materials, it uses high-temperature branding tools to outline and burn designs on carbonizable materials;
Core Technique III
by controlling the temperature of the branding pen, the speed of the stroke, and the pressure applied, it makes the surface display natural gradations of pale yellow, medium yellow, brown, and black, achieving an ink effect close to the 'five shades of ink' of Chinese painting.
03 · Transmission & Safeguarding Status
In 2025, Li Zhe was announced in the sixth batch of national representative bearers for Pyrography, with Nanyangshiwolong, Henan as the declared area. Within the documented safeguarding record of Pyrography in Nanyangshiwolong, Henan: The project was inscribed in the national inventory in 2021 (batch 5), with Nanyangshiwolong, Henan as its declared area, and Nanyang Laohua Factory as its safeguarding unit. Since the project was inscribed in the national inventory, its declared area and safeguarding unit have carried out documentation, transmission and presentation within the national safeguarding framework. Together, the inventory record and the project archive form the public documentary basis for the bearer’s transmission practice.
04 · Associated Heritage Item Dossier
Historical origin
According to the Nanyang County Gazetteer, it was founded by Zhao Xingsan of Nanyang in 1877.
05 · Fellow National Bearers Lineage
National representative bearers recorded under the same item code, ordered from the first to the sixth batch. Batch order is not a teacher–student relationship.
| Bearer | Declared area | Roster code | Relation |
|---|---|---|---|
| Li Zhe | Nanyangshiwolong, Henan | — | This page |
06 · Archival Sources & Bibliography
This static English edition is rendered at the edge for search engines, AI crawlers and readers without JavaScript. Compiled from official national representative bearer archival records and the associated project dossier, organized by topic and translated into English. 阅读中文版。