Minnan Chuantong Residential Building Craftsmanship
01 · Historical Records
After the Southern Song imperial clan administration (Nanwai Zongzhengsi) relocated to Quanzhou, the palace-architecture craft of the Central Plains was brought into the folk sphere, further advancing the development of palace-style "Huanggongqi" (literally "imperial-palace-style") residential architecture. The Cai family ancient residential complex in Nan'an City is a quintessential example of palace-style grand residences (dacuo) of southern Fujian from the Ming and Qing dynasties, and has been listed as a nationally protected cultural relic site. The Cai family residential complex was built by Cai Qian, an overseas Chinese based in the Philippines, constructed successively from the fifth year of the Xianfeng reign of the Qing dynasty (1855) to the thirty-third year of the Guangxu reign (1907), spanning 52 years in total, covering 16,000 square meters, with a total of 400 rooms of various sizes. Facing south with its back to the north, each residence is either a two-courtyard or three-courtyard layout, with side wings (hucuo) or east-west wing rooms. The main buildings feature hard-gable and curved-ridge (juanpeng) roofs covered with red tiles and half-cylinder tiles, swallow-tail-shaped ridges, post-and-tie wooden frames, and richly carved beams and painted rafters. The entire complex is orderly, open, and finely laid out, reflecting the principal characteristics of traditional southern Fujian residential architecture of the Ming and Qing dynasties. The residence of Yang Amiao, a renowned late-Qing overseas Chinese located in Licheng District of Quanzhou City, is also a "Huanggongqi" palace-style residence and has been listed as a Fujian provincial-level protected cultural relic site. Its construction began in the twentieth year of the Guangxu reign of the Qing dynasty (1894) and, taking 18 years, was completed in the third year of the Xuantong reign (1911).
02 · Core Techniques & Process
The traditional residential-building craft of southern Fujian is a product of the fusion of Central Plains culture and indigenous southern Fujian culture. Combined with Quanzhou's geographic and climatic conditions and cultural customs, it formed a distinctive architectural form that spread across southern Fujian—Quanzhou, Zhangzhou, Xiamen and elsewhere—as well as to Hong Kong, Macao, Taiwan, and Southeast Asia. The most distinctive type of southern Fujian residence is commonly known as "Huanggongqi"; the Huian residential-building craft is most typically expressed through the construction of these palace-style grand residences (dacuo). "Huanggongqi" originated in the Tang Five-Dynasties period and has a history of over a thousand years to this day. At that time, Huang Jue, a concubine of the Min King Wang Shenzhi (862–925), was a native of Huian; favored by the king, she was granted special permission to build at home according to palace regulations and forms. These palace-style grand residences come in types such as single-side wing (dan hucuo), double-side wing (shuang hucuo), and four-side wing (si hucuo), and in forms such as three-bay and five-bay layouts; they adopt a horizontally expanding plan with depths of two, three, or five courtyards (luo). "Huanggongqi" uses courtyards as its organizing units, with corridors and covered walkways (guoshui) threading through the whole house. The buildings make extensive use of brick and tile, with stone foundations and perimeter walls built of red brick, post-and-tie wooden frames as the load-bearing structure, hard-gable roofs, and curved upturned swallow-tail-ridge roof ridges. The walls by the entrance feature brick-and-stone reliefs, and the window lattices are carved with flowers and birds—ornate decoration. Each grand residence is an independent household yet is linked to the others by stone paths paved with granite slabs; these paths serve both as walkways and as threshing grounds and places to rest and enjoy the cool. The Yang Amiao residence covers a total area of 1,349 square meters; its main building is a five-bay structure, with three-bay sections at the front of the east and west sides and symmetrical single-row side wings at the rear, with a depth of three courtyards. In front of the whole residence is laid a large stone courtyard (shicheng); the courtyard is enclosed by a brick wall, and on the east and west sides there are main gates opening directly to the outside. The residence has five courtyards in all, colloquially called "five plum blossoms opening to the skywells"; additionally, in front of the flower hall on the east side a square pavilion with a curved (juanpeng) roof was added, with wooden railings inside. The walls inside and outside the house, beneath the eaves, between partitions, at the column heads, and on the doors and windows are all adorned with exquisite wood carving, brick carving, lime (hui) carving, and stone carving, of which the blue-stone carving is the most refined. With the acceleration of modernization, urban redevelopment, and the rise of the real-estate construction industry, many traditional southern Fujian residences have been demolished or damaged.
The gaochi ruler spanning four trades
The gaochi ruler embeds design, drawing, construction and management in a single tool; Wang Shimeng is noted for it.
The archway at Tainan Ciji Temple
The archway he built at Tainan Ciji Temple shows his work in Taiwan, where joints and colour must withstand weather and incense smoke.
Guandu Temple in Taipei
Guandu Temple in Taipei shows the Quanzhou methods carried across the strait and adjusted to local climate and custom.
Five courtyards, five plum openings
Five courtyards linked in sequence organise the plan, each tightening as it approaches the main hall.
The stone forecourt and side gates
A large stone forecourt is enclosed by brick walls with a gate on each side, so the wings and side rooms keep separate approaches.
Decoration in which carved bluestone leads
Wood, brick, plaster and stone carving are used throughout, with carved bluestone the most admired for its resistance to weather.
03 · Regional Records & Related Items
Later, the "Huanggongqi" palace-style grand residence thus became a model that local dwellings eagerly emulated, and it gradually spread far and wide.
Other submitting regions for the same item: Minnan Chuantong Residential Building Craftsmanship · Minnan Chuantong Residential Building Craftsmanship · Minnan Chuantong Residential Building Craftsmanship.
04 · Cultural Value & Contemporary Safeguarding
Meanwhile, with the rapid development of modern building techniques and the shrinking of the traditional construction market, some master craftsmen and their apprentices have either passed away or switched trades, and the traditional residential-building craft of southern Fujian faces the danger of disappearing, urgently requiring rescue and protection by the relevant authorities. Wang Shimeng (recorded in the official inheritor archive): Male, Han ethnicity, born in March 1947, from Huian County, Fujian Province. Representative inheritor of the third national-level batch of the intangible cultural heritage item "Southern Fujian Traditional Residential Building Craft." Southern Fujian traditional residential-building craftsman. He is particularly adept at the "gaochi" skill, which integrates architectural design, drawing, construction, and management. He built the paifang (memorial archway) of the Tainan Ciji Temple and the Guandu Temple in Taipei City. In addition, he emphasizes transmitting the craft and mentoring apprentices, having trained a group of disciples.
05 · Associated Representative Bearers
Representative bearers recorded under this item, organized by national nomination batch:
- Wang Shimeng 03-1436
- Jiang Qinquan 05-2871
- Chen Heyong 05-2872
- Liu Dashan
- Ye Benying
06 · Authoritative Sources & Bibliography
Sources
China Intangible Cultural Heritage Network (ihchina.cn)
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