Wang Lijuan
01 · Lineage & Regional School
Wang Lijuan, Female, Han, from Suzhou, Jiangsu, is a sixth-batch national representative bearer of Baojuan Sutra Telling (Ⅰ-13). The tradition is documented in Suzhou, Jiangsu. Within the regional tradition and school record of Baojuan Sutra Telling in Suzhou, Jiangsu: It is sung in the Wu dialect, easy to understand and warmly welcomed by the people. The Wu-region precious scrolls are a traditional narrative-singing form combining literature, music and performance, evolved from the popular preaching of the Tang transformation texts and the Buddhist scripture-telling of the Song; they are current throughout the Wu dialect area south of the Yangzi and in the Suzhou region circulate mainly in Tongli town of Wujiang district, Fenghuang town of Zhangjiagang, Jinxi town of Kunshan and Shengpu sub-district of the Suzhou Industrial Park, and are generally chanted in dialect at village temple fairs, farmhouse weddings, birthdays, house-movings and a baby's first haircut.
02 · Mastery & Signature Works
The bearer record for Wang Lijuan is anchored in the documented technical standards of Baojuan Sutra Telling in Suzhou, Jiangsu. Within the documented technical tradition of Baojuan Sutra Telling in Suzhou, Jiangsu: From the Ming Xu Xianzhong's Collection of Anecdotes of Wuxing, which records that recently village custom has inserted Buddhist scriptures into exhortatory texts and colloquial speech, gathering in groups of ten or so and answering one another in song, calling it xuanjuan, it can be seen that the Wu-region precious scrolls have a history of at least five hundred years. In the Wu-region scrolls one leading singer sings the main part and two to eight supporting singers, together with the band, join in. The leading singer, standing or sitting, sings, recites, speaks and acts, while the others sit on either side of the square table. Each time the leading singer sings a line the supporting singers chant in response together. The Wu-region scrolls current in Suzhou were at first called wooden-fish xuanjuan. In the 1920s and 1930s the range of chanting continually expanded, the number of performers increased, and silk-and-bamboo instruments accompanied them; the tunes also absorbed, on the basis of the wooden-fish xuanjuan, some tunes from Suzhou tanhuang, huangdiao and the ditties of Jiangnan and pingtan, and traditional folk stories and myth were added, making the literary quality more evident. The Suzhou Wu-region scrolls are mainly in seven-character and ten-character verse interspersed with prose. Among the scroll texts are folk-belief kinds such as The Fragrant Mountain Scroll, The Opening-and-Closing Scroll and The Mulian Scroll; folk-story kinds such as The Record of the Jade Pendant, The Pearl Pagoda and The Record of the Golden Lock; and myth kinds such as The Luoyang Bridge, The Eight-Treasure Mountain and The Carp Spirit, more than three hundred kinds in all. Besides basic tunes such as the Mituo Tune, the Weituo Tune and the Haihua Tune, they also fuse with the melodies of local folk song, opera and narrative-singing, adding the Four Seasons Tune, the Silver Silk Tune, the Suzhou Scenery Tune, the Purple Bamboo Tune, the Silk-String Tune and the Cross Tune. The chanting of the Wu-region scrolls has strict ritual rules: before the opening a rite of inviting the Buddha is held, and after the end a rite of seeing off the Buddha. The Suzhou Wu-region scroll librettos have vivid plots and beautiful tunes and a fairly clear line of transmission, handed down from generation to generation through individuals and scroll troupes. Their content touches morality, ethics and custom, reflects the life, ideals and feelings of the people of Jiangnan, and is important material for folklore. Their stories mostly praise honesty, exhort people to goodness and sing of love, playing a positive role in cultivating character, harmonising the community and enlivening the cultural life of the masses. Representative repertoire, works and technical entries recorded for the project include: "The Fragrant Mountain Scroll": A folk-belief scroll of the Suzhou Wu-region precious scrolls. "The Mulian Scroll": A folk-belief scroll of the Suzhou Wu-region precious scrolls. "The Pearl Pagoda": A folk-story scroll of the Suzhou Wu-region precious scrolls. "The Luoyang Bridge": A myth scroll of the Suzhou Wu-region precious scrolls.
The Fragrant Mountain Scroll
A folk-belief scroll of the Suzhou Wu-region precious scrolls.
The Mulian Scroll
A folk-belief scroll of the Suzhou Wu-region precious scrolls.
The Pearl Pagoda
A folk-story scroll of the Suzhou Wu-region precious scrolls.
The Luoyang Bridge
A myth scroll of the Suzhou Wu-region precious scrolls.
03 · Transmission & Safeguarding Status
In 2025, Wang Lijuan was announced in the sixth batch of national representative bearers for Baojuan Sutra Telling, with Suzhou, Jiangsu as the declared area. Within the documented safeguarding record of Baojuan Sutra Telling in Suzhou, Jiangsu: The project was inscribed in the national inventory in 2014 (batch 4), with Suzhou, Jiangsu as its declared area, and Suzhou Intangible Cultural Heritage Safeguarding Management Office (Suzhou Culture Research Center) as its safeguarding unit. Since the project was inscribed in the national inventory, its declared area and safeguarding unit have carried out documentation, transmission and presentation within the national safeguarding framework. Together, the inventory record and the project archive form the public documentary basis for the bearer’s transmission practice.
04 · Associated Heritage Item Dossier
Historical origin
The Wu-region precious scrolls are a traditional narrative-singing form combining literature, music and performance, evolved from the popular preaching of the Tang transformation texts and the Buddhist scripture-telling of the Song; they are current throughout the Wu dialect area south of the Yangzi and in the Suzhou region circulate mainly in Tongli town of Wujiang district, Fenghuang town of Zhangjiagang, Jinxi town of Kunshan and Shengpu sub-district of the Suzhou Industrial Park, and are generally chanted in dialect at village temple fairs, farmhouse weddings, birthdays, house-movings and a baby's first haircut.
05 · Fellow National Bearers Lineage
National representative bearers recorded under the same item code, ordered from the first to the sixth batch. Batch order is not a teacher–student relationship.
| Bearer | Declared area | Roster code | Relation |
|---|---|---|---|
| Qiao Yuan | Jiuquanshisuzhou, Gansu | 01-0010 | Other regional school |
| Li Zuobing | Wuweishiliangzhou, Gansu | 03-0780 | Other regional school |
| Zhang Donghai | Jingjiang, Jiangsu | 05-1991 | Other regional school |
| Rui Shilong | Suzhou, Jiangsu | 05-1992 | Same declared area |
| Daixingwei | Zhangye, Gansu | 05-1993 | Other regional school |
| Liu Zhengkun | Jingjiang, Jiangsu | — | Other regional school |
| Zhao Xufeng | Wuweishiliangzhou, Gansu | — | Other regional school |
| Wang Lijuan | Suzhou, Jiangsu | — | This page |
| Pei Luping | Dingxishimin, Gansu | — | Other regional school |
06 · Archival Sources & Bibliography
This static English edition is rendered at the edge for search engines, AI crawlers and readers without JavaScript. Compiled from official national representative bearer archival records and the associated project dossier, organized by topic and translated into English. 阅读中文版。