Hua Lantern Opera
01 · Historical Records
Huadeng opera is a principal local genre of Guizhou and Yunnan; it derives from folk lantern song-and-dance, developed into local opera in the late Qing and early Republic, and in its diffusion formed various singing and performing styles under the influence of local dialects, folk ditties and customs. Its most flourishing period in Yunnan was the 1950s and 1960s, when many famous huadeng actors such as Shi Baofeng, Xiong Jiechen and Yuan Liuan emerged and a group of plays renowned on the Yunnan stage appeared, including Tan Ganmei, Nao Du, Liu Cheng Kan Cai and San Fang Qin. Drawing on the Yunnan volume of the Annals of Chinese Xiqu, Midu is an important area of Yunnan huadeng's distribution, where folk lantern fairs and temple-fair performances flourished; after the 1950s the locality organised professional and amateur troupes to collate and perform traditional plays.
02 · Core Techniques & Process
In performance huadeng artists never let go of fans and handkerchiefs, singing and dancing, with singing and acting closely combined. Among them Dushan huadeng has more than one hundred and forty plays, including eighty-five early outline plays, twenty-seven adapted plays and twenty-seven newly created plays. Yunnan huadeng at first performed huadeng short operas with a heavy song-and-dance component; later, influenced by genres such as Dianju, plays with more intricate plots appeared, and the tunes of other genres were absorbed and varied, extended and renewed, forming new huadeng tunes. Midu huadeng is based on Midu folk ditties, its singing fluent in melody and rich in filler words, its actors singing and dancing with fans and handkerchiefs and its plays mostly life sketches and folk legend.
Jinling Ji (The Golden Bell Tale)
One of the eighty-five early outline (tiangang) plays of Dushan huadeng.
Mangshe Ji (The Python Tale)
One of the eighty-five early outline (tiangang) plays of Dushan huadeng.
Zha Mei An (The Case of Beheading the Unfaithful Husband)
One of the twenty-seven adapted plays of Dushan huadeng.
Qimei and She Lang (Seventh Sister and the Snake Bridegroom)
One of the twenty-seven newly created plays of Dushan huadeng.
Tan Ganmei (Visiting the God-Sister)
A play renowned on the Yunnan huadeng stage.
Nao Du (The Boisterous Ferry)
A play renowned on the Yunnan huadeng stage.
Liu Cheng Kan Cai (Liu Cheng Watches the Vegetables)
A play renowned on the Yunnan huadeng stage.
San Fang Qin (Three Visits to Kin)
A play renowned on the Yunnan huadeng stage.
03 · Regional Records & Related Items
Guizhou huadeng is found mainly in Dushan, Zunyi, Bijie, Anshun and Tongren, with different names from place to place; Yunnan huadeng has three main branches—Kunming, Yuxi and Yao'an—besides extremely many minor branches. Midu huadeng is an important branch of Yunnan huadeng; lying in western Yunnan, its singing fuses local Han folk song with musical elements of the Yi, Bai and other ethnic groups, differing from the Kunming and Yuxi branches in tune.
Other submitting regions for the same item: Hua Lantern Opera · Hua Lantern Opera · Hua Lantern Opera · Hua Lantern Opera · Hua Lantern Opera · Hua Lantern Opera · Hua Lantern Opera.
04 · Cultural Value & Contemporary Safeguarding
Midu huadeng takes as its background such Midu folk songs as Xiu Hebao and Shi Da Jie, and its lantern opera is fairly influential in western Yunnan; the Midu county cultural centre sustains the genre through festival lantern fairs, opera-in-schools and amateur troupe performances.
05 · Associated Representative Bearers
Representative bearers recorded under this item, organized by national nomination batch:
- Qin Zhifeng 02-0621
- Liu Fang 02-0622
- Li Hongyuan 02-0623
- Chen Keqin 02-0624
- Liu Shengyang 04-1657
- Shao Zhiqing 05-2389
- Chen Shenhua 05-2390
06 · Authoritative Sources & Bibliography
Sources
China Intangible Cultural Heritage Network (ihchina.cn)
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