Dragon Dance
01 · Historical Records
The Kaihua incense grass dragon is directly linked to the military memories of the late Yuan and early Ming. According to the Wang clan genealogy of Suzhuang Town (compiled in the twenty-eighth year of the Kangxi reign), in the twenty-second year of the Zhizheng era of the Yuan dynasty (1362), the Red Turban leader Zhu Yuanzhang was worsted by Chen Youliang in a battle at Jiujiang, Jiangxi, and withdrew to Yuntai in Zhejiang (that is, today's Suzhuang Town of Kaihua) to rest and regroup. It happened to be Mid-Autumn Festival, and the local people slaughtered pigs and sheep and danced the incense grass dragon to reward the Red Turban soldiers; after watching, Zhu Yuanzhang called the grass dragon the “divine dragon.” In the sixth year of the Hongwu reign (1373), Zhu Yuanzhang sent the secretarial official Ye Chen to Suzhuang to enfeoff Jinxi Village as Fulou Village. Believing that the “divine dragon” ought to have an imperial escort, the villagers made “treasure fans,” “osmanthus trees,” “figure tableaux,” “auspicious-character plaques,” and added butterflies, flying birds, swans, and animals such as fish, shrimp, clams and softshell turtles to dance alongside the grass dragon, adding the distinctive character of the Suzhuang grass dragon. This form of performance has been handed down to the present day.
02 · Core Techniques & Process
Dancing the incense grass dragon is a folk custom observed during the Mid-Autumn Festival in the 18 townships and towns of Kaihua County, and it is most splendid in the village of Fuhu, Suzhuang Town. The Kaihua incense grass dragon is made by braiding a dragon body out of rice straw and studding it densely with incense sticks; when the dance begins all the incense is lit, so that the grass dragon becomes a fire dragon. In the hazy moonlight, smoke curls around it, fragrance drifts, and it seems to ride the clouds and the mist, galloping and flying in a thundering, magnificent display. Before the dragon dance there must first be a “sacrifice to the divine dragon”: an offering table with a pig's head is set out, incense is burned and candles lit, the sacrificial prayer is chanted, and firecrackers are set off with music played; the ceremony is solemn. When the dragon dance ends, the grass dragon is sent (thrown) into the river, meaning that the dragon returns to the sea. According to the Wang clan genealogy of Suzhuang Town (compiled in the twenty-eighth year of the Kangxi reign): in the twenty-second year of the Zhizheng era of the Yuan dynasty (1362), the Red Turban leader Zhu Yuanzhang was worsted by Chen Youliang in a battle at Jiujiang, Jiangxi, and withdrew to Yuntai in Zhejiang (that is, today's Suzhuang Town of Kaihua) to rest and regroup. After watching, Zhu Yuanzhang called the grass dragon the “divine dragon.” In the sixth year of the Hongwu reign (1373), Zhu Yuanzhang sent the secretarial official Ye Chen to Suzhuang to enfeoff Jinxi Village as Fulou Village. Believing that the “divine dragon” ought to have an imperial escort, the villagers made “treasure fans,” “osmanthus trees,” “figure tableaux” and “auspicious-character plaques,” together with animals such as “butterflies,” “flying birds,” “swans,” “fish, shrimp, clams and softshell turtles,” to dance alongside the grass dragon, adding the distinctive character of the Suzhuang grass dragon. This form of performance has been handed down to the present day.
Sacrificing to the divine dragon
The rite before the dance: a pig's-head altar, incense and candles, a recited invocation, firecrackers and music, indispensable to the dragon's appearance.
Sending the dragon back to the sea
After the dance the straw dragon is thrown into the river, meaning its return to the sea, closing the ritual cycle opened by the sacrifice.
The accompanying regalia
Regalia made after the village was granted its name, on the reasoning that a divine dragon needs an imperial escort, joined by butterflies, birds, swans, fish, shrimps and turtles.
The incense straw dragon of Fuhu village
All eighteen townships of Kaihua dance the incense straw dragon at mid-autumn, but Fuhu village in Suzhuang is the most splendid and complete.
Zhu Yuanzhang at Jiujiang
The pivotal local event: after defeat at Jiujiang in 1362 Zhu Yuanzhang rested at Yuntai, was honoured with the straw dragon at mid-autumn, called it divine, and in 1373 sent an official to rename the village.
03 · Regional Records & Related Items
It happened to be Mid-Autumn Festival, and the local people slaughtered pigs and sheep and danced the incense grass dragon to reward the Red Turban soldiers.
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04 · Cultural Value & Contemporary Safeguarding
The Kaihua incense grass dragon flourishes most in the village of Fuhu, Suzhuang Town, and is a folk custom shared by the local people during the Mid-Autumn Festival in all eighteen townships and towns. The grass dragon is made of a rice-straw dragon body studded densely with incense sticks; when the dance begins all the incense is lit, so that the grass dragon becomes a fire dragon, and in the hazy moonlight smoke curls around it, fragrance drifts, and it seems to ride the clouds and the mist, galloping and flying in a thundering display. Its combined visual and olfactory effect is extremely rare among dragon dances in different places. Before the dragon dance one must “sacrifice to the divine dragon,” setting out an offering table with a pig's head, burning incense and lighting candles, chanting the sacrificial text, and setting off firecrackers with music played; the ceremony is solemn. When the dragon dance ends, the grass dragon is sent (thrown) into the river, meaning that the dragon returns to the sea. The complete ritual sequence preserves intact the logic of prayer for a good year in an agrarian society, and has distinctive value for studying Mid-Autumn customs in western Zhejiang and the localizing process of Zhu Yuanzhang legends.
05 · Associated Representative Bearers
Representative bearers recorded under this item, organized by national nomination batch:
- Huang Tingyan 02-0340
- Huang Ruisheng 02-0341
- Tanxiaoming 02-0342
- Chen Xingguo 02-0343
- Luo Deshu 02-0344
- Zheng Yuhua 03-0901
- Fei Tugen 03-0902
- Yang Shufan 03-0903
- Huang Chaogen 03-0904
- Li Chengjia 04-1543
- Yang Muhai 04-1544
- Deng Bin 04-1545
- Ding Zhifan 04-1547
- Cai Zhanquan 04-1548
- Lu Dajie 05-2186
- Ouyang Hongfu 05-2187
- Wang Baicheng 05-2188
- Lin Shile 05-2189
- Bao Mushun 05-2190
- Cao Wugen 05-2191
- Hao Tongzhou 05-2192
- Liu Weixiang 05-2193
- Zhang Jinpan 05-2194
- Yao Daming 05-2195
- Zhang Zijin 05-2196
- Lin Jiannan 05-2197
- Deng Shenghong 05-2198
- Lin Huixuan
- Liang Zhichun
- Tan Xianjun
- Linzhangjiu
- Li Chengfeng
- Huang Jinjian
- Zhang Guangwu
06 · Authoritative Sources & Bibliography
Sources
China Intangible Cultural Heritage Network (ihchina.cn)
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