Shadow Puppetry
01 · Historical Records
Balin Left Banner shadow puppetry originated in Luanzhou, Hebei, and has a history of more than two hundred years. In the 1950s and 1960s it reached its peak, the whole banner having more than forty shadow trunks and more than two hundred artists, performing more than fifty traditional plays such as Wu Feng Hui, Shishe Nongye Tu Bian Jin and Qizhe Maolü Ben Xiaokang. By the early 1990s, for various reasons, Balin Left Banner shadow puppetry was in an endangered state.
02 · Core Techniques & Process
Left Banner shadow puppetry is a product of the fusion of central-plains farming culture and steppe nomadic culture, and also a process of mutual emotional exchange and of mutual cultural learning and understanding among ethnic groups. Its figures are carved from donkey hide in bright colours with fluent lines; one man at the front operates and sings while the musicians behind accompany on sihu and sanxian, its singing blending eastern-Hebei shadow tunes with the flavour of local folk song, and besides traditional romance it stages new plays reflecting farming and herding life.
Wu Feng Hui (The Five-Peak Assembly)
One of the more than fifty traditional plays performed by Balin Left Banner shadow puppetry at its peak.
Shishe Nongye Tu Bian Jin (Protected Agriculture Turns Soil to Gold)
One of the traditional plays performed by Balin Left Banner shadow puppetry at its peak.
Qizhe Maolü Ben Xiaokang (Riding a Donkey Towards Prosperity)
One of the traditional plays performed by Balin Left Banner shadow puppetry at its peak.
03 · Regional Records & Related Items
In the practice of shadow singing the artists, to suit the aesthetic needs of a mixed population, took the initiative to blend local ethnic folk art into it, and Mongol artists also joined the ranks of shadow artists.
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04 · Cultural Value & Contemporary Safeguarding
Veteran comrades in education and culture led by Shen Fengshan organised a shadow association, carried out the “four ones” project and conducted a series of rescue protection and excavation work, much recognised and praised by the people. Li Guohua (as recorded in the official dossier of an associated inheritor): female, Han, born in December 1970 in Balin Left Banner, Inner Mongolia. She is skilled in the sheng, xiao and chou roles of shadow puppetry and especially in figure operation. Besides traditional plays she performs the newly written long historical shadow plays Daliao Shuangxing and The Legend of Emperor Taizu of Liao, the farmer-serving shadow sketch Speaking Our Farmers' Minds and such campus textbook plays as Lu Tixia Beats the Bully of Zhen Guanxi and Winning the Championship. She takes an active part in building village cultural rooms, integrating shadow puppetry into the spare-time cultural life of farmers and herdsmen. She is a representative inheritor of shadow puppetry (Balin Left Banner shadow puppetry) in the fifth batch of national intangible cultural heritage projects. In 2015 she took part in the national shadow puppetry showcase held in Kaifeng, Henan, winning a gold award, and in 2014 she was appointed shadow-puppetry instructor at Huaxia Vocational School, taking more than twenty students as disciples and carefully teaching them figure operation and singing and recitation, several times leading them in showcases and special performances. Balin Left Banner shadow puppetry is a product of the blending of central-plains farming culture and steppe nomadic culture, preserving precious memories of artistic exchange in a mixed ethnic area; the locality carries out rescue protection and excavation through the shadow association, the “four ones” project and opera-in-schools.
05 · Associated Representative Bearers
Representative bearers recorded under this item, organized by national nomination batch:
- Ding Zhenyao 02-0663
- Qi Yongheng 02-0664
- Fu Xixian 02-0665
- Shenguorui 02-0666
- Liang Quanmin 02-0667
- Li Shiwei 02-0668
- Song Guochao 02-0669
- Sun Deshen 02-0670
- Xu Ernan 02-0671
- Tang Xiancheng 02-0672
- Liu Nianhua 02-0673
- Cai Jinzhen 02-0674
- Peng Zhong 02-0675
- Liu Hua 02-0676
- Wei Jinquan 02-0677
- Pan Jingle 02-0678
- Wang Zhenzhong 02-0679
- Zhang Ximin 02-0680
- Li Yuting 02-0681
- Ding Bixia 02-0682
- Shi Chenglin 02-0683
- Gao Qingwang 02-0684
- Xu Jishan 02-0685
- Liu Jingchun 02-0686
- Liu Jiawen 03-1075
- Li Xiushan 03-1076
- Wang Qiansong 03-1077
- Zhang Kunrong 03-1078
- Shen Shengbiao 03-1079
- Gu Baozhen 03-1080
- Fan Zhengan 03-1081
- Li Xingshi 03-1082
- Chen Guanghui 03-1083
- Zhang Xiangdong 04-1663
- Qin Ligang 04-1665
- Li Guixiang 04-1666
- Wang Biao 04-1667
- Liu Yongzhou 04-1668
- Wang Tianwen 04-1669
- Jin Shengchang 04-1670
- Lu Baogang 05-2406
- Peng Zuochen 05-2407
- Liang Suzhi 05-2408
- Li Guohua 05-2409
- Lvzhengye 05-2410
- Lin Shimin 05-2411
- Wang Fang 05-2412
- Liu Mancang 05-2413
- Zhou Banghui 05-2414
- Lvchongde
- Liu Lixin
- Xu Zilin
- Gao Juanqin
- Yan Zubin
- Ma Fenglan
- Zhao Zhongyi
- He Huaping
- Zhao Liya
- Guan Haiying
06 · Authoritative Sources & Bibliography
Sources
China Intangible Cultural Heritage Network (ihchina.cn)
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