Puppetry
01 · Historical Records
Drawing on materials on Jiangsu puppetry, the puppet troupe of the Jiangsu Performing Arts Group descends from the former Jiangsu Provincial Puppet Troupe; since the 1950s, based in Nanjing, it has inherited the lifting and twisting traditions of northern Jiangsu rod puppetry while widely absorbing the expressive means of Kun opera, Peking opera, song-and-dance and acrobatics, gradually forming the artistic style of “unity of form and spirit, free and elegant”.
02 · Core Techniques & Process
The puppet troupe of the Jiangsu Performing Arts Group has transplanted, adapted and created a body of fine works led by puppet feats of consummate skill, forming an artistic style of “unity of form and spirit, free and elegant”. On the basis of traditional lifting, twisting, walking and head skills it has also innovated the feat of puppet painting; through long performance at home and abroad it has won unanimous praise and high acclaim from all quarters in China and abroad, making outstanding contributions to transmitting, protecting and developing traditional culture. In recent years, under the impact of fashion culture and diversified entertainment, young audiences have grown indifferent to tradition, the puppet market is depressed and funds gravely short, leaving it in the predicament of lacking successors and struggling on, urgently needing rescue and protection.
Chang'e Dances with Sleeves
The inheritor used a silk streamer more than ten metres long to create such techniques as “double rings dancing”, “the painted figure hiding its charm”, “red waves rolling” and “the fairy scattering flowers”.
Face-Changing and Fire-Blowing
Changing the former “single-hand straight-line face pull” into “two-handed alternating face-change”, an innovative work of rod-puppet feats.
The Wisdom Duel
Created the techniques of a puppet lighting a cigarette, smoking and blowing smoke, showing the finesse of puppets imitating everyday action.
Banqiao Paints
It created the feat of puppet painting and obtained a patent, by which the inheritor won the Ministry of Culture's Wenhua Performance Award and other prizes.
03 · Regional Records & Related Items
The project takes the puppet troupe of the Jiangsu Performing Arts Group as its safeguarding and transmission body, its performances centred on Nanjing and radiating through the province and repeatedly going overseas; in performance form it belongs to the rod-puppet system and shares an origin with Yangzhou rod puppetry yet diverges from it, each representing a different aspect of Jiangsu rod puppetry.
Other submitting regions for the same item: Puppetry · Puppetry · Puppetry · Puppetry · Puppetry · Puppetry · Puppetry · Puppetry · Puppetry · Puppetry · Puppetry · Puppetry · Puppetry · Puppetry · Puppetry · Puppetry · Puppetry · Puppetry · Puppetry · Puppetry · Puppetry · Puppetry · Puppetry · Puppetry · Puppetry · Puppetry · Puppetry · Puppetry · Puppetry · Puppetry.
04 · Cultural Value & Contemporary Safeguarding
On the basis of inheriting and developing the traditional skills of rod puppetry and drawing on and absorbing the essence of other arts it has enriched the puppet dance vocabulary and performance forms, forming a distinctive rod-puppet performance system and style: in Chang'e Dances with Sleeves it created with a silk streamer more than ten metres long such techniques as “double rings dancing”, “the painted figure hiding its charm”, “red waves rolling” and “the fairy scattering flowers”; in Face-Changing and Fire-Blowing it changed the former “single-hand straight-line face pull” into “two-handed alternating face-change”; in The Wisdom Duel it created the techniques of a puppet lighting a cigarette, smoking and blowing smoke; it has taken part in such major events as the China Art Festival and the Macao return celebration gala; and The Banqiao Paints created the feat of puppet painting and obtained a patent, winning the Ministry of Culture's Wenhua Performance Award, the “Golden Lion Award” of the China Puppet and Shadow Art Society and a silver award and Golden Lion performance award in the national puppet and shadow competition.
05 · Associated Representative Bearers
Representative bearers recorded under this item, organized by national nomination batch:
- Chen Yinghong 02-0687
- Chen Zhijie 02-0688
- Li Bofen 02-0689
- Zhuang Chenhua 02-0690
- Chen Jintang 02-0691
- Wang Na 02-0692
- Liu Yongan 02-0693
- Liu Yongzhang 02-0694
- He Wenfu 02-0695
- Cao Zhangling 02-0696
- Ding Qingbo 02-0697
- Chen Peisen 02-0698
- Chen Shaojin 02-0699
- Wang Chunrong 02-0700
- Li Siyuan 02-0701
- Rao Shiguang 02-0702
- Fuzhenghua 02-0703
- Wang Hongmin 02-0704
- Xiao Pengfang 02-0705
- Zhou Erlu 02-0706
- Lin Congpeng 03-1084
- Wang Jiansheng 03-1085
- Yan Sarong 03-1086
- Chen Yansen 03-1087
- Wu Xing 03-1088
- Yin Daning 03-1089
- Hua Meixia 03-1090
- Zhuo Naijin 03-1091
- Wu Mingyue 03-1092
- Zheng Guofang 04-1671
- Ji Guifang 04-1672
- Xu Hong 05-2415
- Zhang Lianghua 05-2416
- Jin Zonghuai 05-2417
- Li Shengyi 05-2418
- Tan Qishu 05-2419
- Liang Dongxing 05-2420
- Li Xinxian 05-2421
- Cui Keqin 05-2422
- Hu Hai 05-2423
- Hong Huijun
- Xiong Guoan
- Lin Youdun
- Chen Weiqun
- Li Mingqing
- Ying Aifang
- Huang Xiaohua
- Chen Junlong
- Cai Xiaohua
06 · Authoritative Sources & Bibliography
Sources
China Intangible Cultural Heritage Network (ihchina.cn)
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